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Research ArticleArticles

Anti-memorials and World War II Heritage in the San Francisco Bay Area: Spaces of the 1942 Black Sailors’ Uprising

Javier Arbona
Landscape Journal, March 2016, 34 (2) 177-192; DOI: https://doi.org/10.3368/lj.34.2.177
Javier Arbona
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Abstract

This essay excavates a little-known uprising of black sailors in Vallejo, California, a World War II boomtown where, in late December 1942, African American Navy personnel rose up to resist racism and to contest segregation at the Mare Island Navy Depot. White personnel sent to put down the revolt shot at least two unarmed black sailors. I focus on one site of reported violence: a downtown intersection, a location and incident interpreted in a woodcut print by artist Frank Rowe. The image contrasts with the uprising’s invisibility within the downtown spaces of the city. Accordingly, this text introduces a different understanding of the design concept of the “anti-memorial” to describe this elusive site of oppression as a geographic space that destabilizes and de-territorializes readings of the World War II home front, concluding that the Vallejo anti-memorial is a limen between the existing spatial memory that conceals military oppression and its potential reclamation for justice.

  • World War II home front
  • Vallejo
  • Frank Rowe
  • anti-memorial
  • segregation
  • military memory
  • heritage studies

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Landscape Journal: 34 (2)
Landscape Journal
Vol. 34, Issue 2
9 Mar 2016
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Anti-memorials and World War II Heritage in the San Francisco Bay Area: Spaces of the 1942 Black Sailors’ Uprising
Javier Arbona
Landscape Journal Mar 2016, 34 (2) 177-192; DOI: 10.3368/lj.34.2.177

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Anti-memorials and World War II Heritage in the San Francisco Bay Area: Spaces of the 1942 Black Sailors’ Uprising
Javier Arbona
Landscape Journal Mar 2016, 34 (2) 177-192; DOI: 10.3368/lj.34.2.177
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Keywords

  • World War II home front
  • Vallejo
  • Frank Rowe
  • anti-memorial
  • segregation
  • military memory
  • heritage studies
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