<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Hall, Sarah Georgia Harrison</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Robert E. Marvin: Southern Agrarian Meets Modernist</style></title><secondary-title><style face="normal" font="default" size="100%">Landscape Journal</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2018</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2018-08-02 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">53-71</style></pages><doi><style  face="normal" font="default" size="100%">10.3368/lj.36.2.53</style></doi><volume><style face="normal" font="default" size="100%">36</style></volume><issue><style face="normal" font="default" size="100%">2</style></issue><abstract><style  face="normal" font="default" size="100%">This article examines how the work of Robert E. Marvin was influenced by the traditional values of his Southern identity and context, the Southeastern regional landscape, and the evolving ideas of twentieth-century design in landscape architecture. By incorporating these attributes into his work, Marvin was able to achieve a new landscape aesthetic that was recognizable, repeatable, and often emulated. He influenced a generation of design professionals and has had lasting influence on values and aesthetics in the Southeastern landscape.</style></abstract></record></records></xml>